Beijing Inside-painted bottles

Beijing Inside-painted bottles for snuff belong to China’s most traditional crafts and arts that feature clean lines, basic and vibrant colors, and vibrantly painted scenes, animals and landscapes. Beijing inside-painted snuff containers first appeared in Beijing towards the end of the Qianlong phase of the Qing Dynasty; it was the use of hook-type brushes or bamboo hook-type brushes that were dipped in Chinese painting pigments. These are put into the mouth of a small bean on the inner wall of square-inch pots, backhanded artworks and turned into. Beijing inside-painted snuff bottles are expected to represent the traditional Chinese painting technique and calligraphy. They also snuff bottles make organic combinations, which is China’s only traditional handicraft and has a very high price and a high art appreciation value.

On the 7th of June, 2008, Inner Painting (Beijing Inner Painting Snuff Bottles) was accepted at the State Council of the People’s Republic of China to be added to the second group of national cultural heritage lists that include intangibles Heritage No. : VII-15.
Snuff-sniffing in China started in the Kangxi period of the Qing Dynasty and became popular among the elite during the Qing Dynasty, and then it spread to less privileged classes of the officials as well as the general population. In the Jiaqing and Daoguang periods during the Qing Dynasty, snuff-sniffing became a common practice. The container used to hold the snuff can be described as a beautiful vase, box or pot as well as the inside-painted snuff bottles are an assortment of snuff bottles. At the end of the Qianlong period and the start of the Jiaqing period of the Qing Dynasty, the artisans in Beijing invented the technique using inside-painted bottle snuffers. During the Guangxu time of the Qing Dynasty, the inside-painted pottery of the craftsmen from Beijing included Zhou Leyuan, Ma Shaoxuan, Zhang Baotian, etc. At the beginning of the Republic of China, there were Ding Erzhong, Ye Zhongshan, etc. The designs on the inside of the snuff bottles of Beijing were mostly scenes, figures and flowers. Later, they evolved into calligraphy portraits, etc. Because of this it was that the inside-painted snuff bottle from Beijing gained more popularity. Because of the stunning workmanship and the high cost of Beijing inside-painted snuff containers, they were admired and appreciated.
In the last decade, Beijing-painted snuff containers have seen a significant improvement in the field of subjects, with the classical Chinese texts providing the content used to create inside-painted pots.
One of the distinctive characteristics characteristic of Beijing Inside-painted bottles of snuff is the force of the brushwork and profundity of the meaning. The painting technique used internally can be classified into three kinds that are: realistic, brushwork and realistic. The painting technique of brushwork can be utilized to paint landscapes, figures such as animals, flowers, and birds, as well as other subjects that have an outline drawn, which are colored points chapped, torn dyeing, and other techniques. The aesthetic effect of cleanness and detail is commonly utilized for the practice of the internal paint method. The painting technique is based on the characteristics of capitalism, small writing, painting with hooks, points dyeing, chafing, splashing ink, splashing of colors and other techniques. The purpose of the pen is first to ensure freedom of flow of ink, and the pen is refined to be able to be thrown away without difficulty. Another instance goes beyond the art of writing since the inception of the pen; it can be evident in decades of work. Writing is concerned with painting (the intent of the pen in the first place) and pen strength (pure force) as well as rhythm (rhythmic coordination) and desire (beauty connecting with the spirit), even if it’s just it is the pursuit of pure performance, which eventually creates works that flow in an artistic style. The realistic painting technique typically uses oil paint. Inside painting is better suited to making use of small particles, photo-dyeing special oil colors, precise and precise representation of the object, as well as the search for shadow and light coloring effects, as well as modeling accuracy real-world image, usually evident in the portraits of the inside painting.
Beijing culture and The Beijing School of Painting offer an array of subject matter and imagination in everything from painting snuff bottles to its style of painting. The color, lustre and color are not adrift from the style of Beijing culture. Through the development of the culture and tradition of royalty of Beijing, a distinct atmosphere of culture has emerged, which has led to Beijing’s Beijing School with inside-painted, snuff bottles that exhibit the style of calligraphy, poetry, printing and painting. Beijing inside-painted snuff bottles include Beijing’s most famous iconic landmarks, including The Temple of Heaven, the Summer Palace, the White Pagoda Temple The Drum Tower, and the Yinzhuo Bridge, etc. These snuff bottles that are inside-painted with the spirit of old Beijing are more sought-after by artists and collectors. Beijing inside-painted bottles for snuff consist of high-quality materials, meticulously modeled, exquisitely painted with vibrant and intriguing characters, a variety of themes, and muted colors that are more in keeping with the style of Chinese art and literati painting.